# 73, Malice, 2000
aluminum, steel, wood, 10'
When I develop a new idea for a piece that I choose to build, the focus, whether intentional or not, seems always to be driven by energy. I find that the sculpture I make reinforces that concern for energy. Harnessing energy any conceivable way is an awesome feeling. When standing near such work, regardless of the medium, paint, steel, earth or sound, you become compelled by the presence of its energy. Subconscious feelings stir inside your body, slowly materializing into a conscious attraction. Sometimes you can't exactly put your finger on what it is about the art that attracts you, but the feeling remains the same. To direct this energy in my work to the viewer is my strongest intention. I create work, which invites the viewer's participation in creating a passage of energy directly through the viewer and the art. Other work of mine simply requires presence to experience its energy. This is a satisfying aspect of my involvement with my art. Being able to share with others the energy my work possesses physically and consciously, while still appealing to a more primitive realm of the mind, is the endeavor my sculpture wishes to achieve.
Renee Bovenzi Chrystal Bowman Terrance Chambrone Jesse Hasko
Travis Heynen Heather Phillips Starr Hough Povey David Rubin
Margaret Strack Carol Vann Myloh Villaronga
|Home | Galleries | Exhibitions | Rockwell Kent | Map | Office|
The Plattsburgh State Art Museum is comprised of over 4,500 works of art, representing numerous regions of the world, from the ancient to the contemporary. Works are displayed within our three main galleries, an outdoor sculpture park and exhibition areas throughout the campus. These facilities produce over twenty-five exhibitions a year of both a national and regional nature. Expanding upon the pluralistic ideal of Andre Malreaux's concept of a "Museum Without Walls," the Plattsburgh State Art Museum has become an open visual art resource for the College and the Champlain Valley/Adirondack Region.